This is the third in our series of sample short story posts which could be part of classroom assignments or a B2-level English exam (e.g. First for Schools or the former FCE exam, ESB or LRN) which requires candidates to write a narrative of approximately 200 words.  Note that even at B1 level (for the Preliminary for Schools exam) such topics can be very effective. Remember to pay attention to the various elements a short story should have as you read it: dialogue, use of adjectives and adverbs to create atmosphere, use of the senses, organization of paragraphs, conflicts that heighten the action, narrator, and the like.  For further information, read my post Writing Stories: Where to Start . It should help you tackle a story from the ground up and make you aware of the

This is the second in our series of short story posts which could be part of a classroom assignment or a B2-level English exam (e.g. First for Schools or the former FCE exam, ESB or LRN) which requires candidates to write a narrative of approximately 200 words.  Remember to note the various elements a short story should have as you read it: dialogue, use of adjectives and adverbs to create atmosphere, use of the senses, organization of paragraphs, conflicts that heighten the action, narrator, and the like.  For further information, read my post Writing Stories: Where to Start . It should help you tackle a story from the ground up and make you aware of the different things that should be included so that the story is worth reading. The assignment or rubric is the following: 

  This is a sample short story based on a typical B2-level English exam (e.g. First for Schools or the former FCE exam, ESB or LRN) which requires candidates to write a narrative of approximately 200 words.    It is, naturally, appropriate for creative writing assignments as well -- especially early October, with Halloween right round the corner -- that should give students and teachers alike the opportunity to get ideas. Ideally, it should be used to show students and ESL / EFL exam candidates what is expected of them when they encounter this type of question, even though it is rather lengthier than required.    As you read, note the various elements a short story should have: dialogue, use of adjectives and adverbs to create atmosphere, use of the senses, organization of paragraphs, conflicts that heighten the action, narrator, and the like.    For further information, read my post Writing Stories: Where to Start . It should help you tackle a story f...

Writing stories for fun, for school or for English as a foreign language (EFL) exams.   Stories, or narratives, are a part of several English language examinations such as Cambridge's First for Schools (formerly known as the First Certificate in English or FCE for short), the Learning Resource Network's LRN and the English Speaking Board's ESB.  Apart from exams though, many students are asked to write a short story as a school assignment and find themselves in a bind.  Add to this crowd those who enjoy writing or want to put pen to paper in the hopes of entering a competition or becoming the next book-to-film adaptation tycoons, but don't know where the launchpad is. Well, this post hopes to get the creative juices flowing.  

Few books have the ability to astound readers with their portrayal of austere social conventions and ludicrous mores as Jane Austen’s masterpiece Pride and Prejudice does. Written a good many decades ago in a time that seems so far removed from ours that we question the logic behind wanting to read it in the first place, this 400-page novel is considered a novel of manners whose simple plot exposes more than the romantic story which it is clothed in would have readers believe.  

Alice Walker's story Everyday Use is intriguing after a first read. Simplistic in its plot, it conceals a deeper inquiry into what ties objects to abstract concepts people hold so dear: tradition, family, our roots, awareness of self, social standing. And why would someone find it intriguing, you might ask? Well, because many wouldn't see the idea of lending value to a discussion of mundane objects put to everyday use as something worth writing a story about.  Notwithstanding, Walker takes us down the road of careful contemplation, turning our eyes and minds to those things that make up our daily lives, whether passed down from generation to generation or bought to fill homes (with what residents deem) a sense of happiness. What Walker possibly wants to bring to the fore is the question: "Why do we have what we have and how do we treat it?" Are possessions in the service of aestheticism and decor, or does our toil give them the needless beauty we nonetheless asc...

This is part 2 of the analysis of Koriyama's "A Loaf of Poetry". Read a brief introduction of mine and find facts about the poet's life, the poem's structure (rhyme, meter, sounds, divisions, turning point), persona, and the first half of the poem here: Naoshi Koriyama - A Loaf of Poetry (Overview) This part completes the analysis of the poem's content and discusses the symbol ism found in it as well as the title and overall message.

Naoshi Koriyama deftly equates the poetic process with a commonplace procedure in his poem "A Lo af of Poetry," proving that in the end , poetry is open to anyone who has the persistence, experience and i nspi ration to dab ble in it . Added to this is the idea that p oetry, like a loa f o f bread , is not a n ornate affair like some gastronomical preparation , but one of the primary forms of susten ance crucial to our diet. The fascination with this poem , often reprinted in textbooks and taught to students by way of introducing poe try to them, lies i n its simplicity which conce a ls Koriyama's metho dical approach. That, however, is what t he poem actually wants to point out : great care and diligence to create such a piece of writing is required , no matter how modest the end product may appear to be. 

This is the last part of the overview to Carol Ann Duffy's poem "Havisham" which covers stanzas three and four of the poem in terms of content , namely: the puce curses, power of words and degeneration to an animal state, t he i ncubus image and vampirism, the white veil, wedding cake, honeymoon, red balloon and necrophili c thoughts and final stutter presen t in a poem that comes full c ircle through the choice of words used at the begin ning of each stanza . P art 1 g a ve a brief biography, discusse d the poem's structure (meter and rhymes), the sounds present in the poem and analyze d the persona of Miss Havisham (what is known about her from Great Expectations and how Duffy treats her case). P a rt 2 dealt with various points present in sta nzas 1 and 2 (enjambment , inability to escape, the notions of time and ageing, Miss Havisham's homicidal thoughts, green pebbl es, ropes on the back o f her hands, the conc ept of the spinster, the ...

This is the second part of the overview to Carol Ann Duffy's poem "Havisham" which covers stanzas one and two of the poem in terms of content.  Read part 1 which gives a brief biography, discusses the poem's structure (meter and rhymes), the sounds present in the poem and analyzes the persona of Miss Havisham (what is known about her from Great Expectations and how Duffy treats her case) here .

A paragon of betrayal, vengeance, self-pity and idiosyncrasy, Miss Havisham is Dickens's most memorable and intriguing character. She was the woman who stayed fossilized in my mind the moment I finished reading the chapter in which Dickens first described her. She mesmerized me in the guise of Martita Hunt in the legendary 1946 film adaptation of Great Expectations starring iconic Sir John Mills, Finlay Currie, as well as a young Jean Simmons and Sir Alec Guinness. Being thus prejudicially inclined, it was with immense joy that I discovered that a poem had been written to recapture the sound of a shattering heart. Miss Havisham lived on in her agony, yet this time round her thoughts were open to further interpretation not limited to details set down by Dickens's 19th century novel.  Carol Ann Duffy's 1993 poem does Miss Havisham justice, indeed. So much so, in fact, that I've spent hours drawing up my overview which at 3 A-4 sized sheets of paper is nowhere near ...

This is the fourth part of the overview to Monica Wood's short story "Disappearing" which covers the story's themes: body image, assistance, silence, and acknowledgment. If you want to read an introduction which includes a link to the story, a short biography of the author, the setting of the story as well as the characters that interact in it, click here .  Part two deals with the plot and the "growth" process through which Wood intimates how destructive others can be and how -- as traumatizers -- they can permanently stunt development (to read that, click here ).  Part three about the story's point of view and symbolism can be found here .

This is part three of the overview to Monica Wood's short story "Disappearing". It covers the story's point of view and symbolism.  If you want to read an introduction which includes a link to the story, a short biography of the author, the setting of the story as well as the characters that interact in it, click here . Part two deals with the plot and the "growth" process through which Wood intimates how destructive others can be and how -- as traumatizers -- they can permanently stunt development (to read that, click here .)

This is the second part of the overview of Monica Wood's short story "Disappearing". Before reading, please take a look at the introduction I've written here which includes a link to the story itself, a short biography of the author, the setting of the story as well as the characters that interact in it. This second part will cover the plot and deals with the "growth" process the story describes. Through this process, Wood intimates how destructive others can be and how -- as traumatizers -- they can permanently stunt development. In part 3 ,  the point of view and sym bolism are discussed.

People's cries for help often go unnoticed because as a society we have either become immune to other people's plight or we have become too self-centered to notice others at all. Monica Wood captures this feeling of insignificance, a kind of nullity of human existence imposed by others by dint of their disregard for their fellow man (and woman, naturally), in her short story "Disappearing".  The title says it all. The passage from one existence to a non-existence is depicted in a matter of pages. Twenty-eight paragraphs is all it takes to erase one's physical identity. Yet how much longer it takes to erase an individual's entire existence -- both body and mind -- is what lies at the heart of this story. The answer to this question is a terrifying "few people, a few comments, several reactions" rather than a specific time period. In fact, I would contend that this is not a story just about anorexia --  anorexia is simply a by-product of a great...

I've loved books ever since I can remember. They're the only thing I've consciously made a choice to collect. I love how they smell, how the pages feel, the different textures of their covers and the way they look as they stand, motley-colored and neatly arranged on bookshelves. If I hadn't become a teacher, I'd work in a library or a bookstore, such is the extent of my obsession. My love of books is so great that I can't imagine why others don't understand their importance.  This is what brought me to write this post, in fact. A few weeks ago, I'd seen a question posted by someone online (no doubt a desperate student who was assigned the question by a teacher) asking how Literature instructs, and wondered why on earth anyone would ask such a self-explanatory query. After all, the reason I revere books doesn't merely come from the satisfaction I get as I turn pages over or capture the scent of a book the minute I open its cover. I've always...

Read part 1 of this overview which includes a brief introduction, includes a link to the full text of the story, some details about the author's life as well as an analysis of setting and plot. Part 2 contains an analysis of the characters that appear in the story and the point of view. Part 3 discusses the symbolism found in this complex short story while this final post deals with the themes and the title of the story. 

Read part 1 of this overview which includes a brief introduction, includes a link to the full text of the story, some details about the author's life as well as an analysis of setting, plot. Part 2 contains an analysis of the characters that appear in the story and the point of view.  This part discusses the symbolism found in this complex short story. Part 4 follows to discuss the themes and the title of the story.

Read part 1 of this overview which includes a brief introduction, includes a link to the full text of the story, some details about the author's life as well as an analysis of setting, plot.  This second installment contains an analysis of the characters that appear in the story and the point of view.  Part 3 discusses the symbols found in the story. Part 4 deals with the story's title (how it foreshadows the ending) and themes.

Many read "Like a Winding Sheet" and conclude the drama that ensues has to do with race. Yes, that indeed would be the obvious conclusion. However, details pertaining to lipstick, tossing one's head back, lifting hair away from one's nape tell a different story.  This story is Ann Petry's primary narrative, I feel, as more care has been given to leave a trail of feminine breadcrumbs against the manifest backdrop of racial inequality and heartless behavior by those in a position of power, which happen to be the destructive forces behind further victimization. Petry manages to show just how everything comes full circle in the worst possible way when people try their damnedest to be the brutes they shouldn't be in their dealings with others.