Alice Walker's story Everyday Use is intriguing after a first read. Simplistic in its plot, it conceals a deeper inquiry into what ties objects to abstract concepts people hold so dear: tradition, family, our roots, awareness of self, social standing. And why would someone find it intriguing, you might ask? Well, because many wouldn't see the idea of lending value to a discussion of mundane objects put to everyday use as something worth writing a story about.  Notwithstanding, Walker takes us down the road of careful contemplation, turning our eyes and minds to those things that make up our daily lives, whether passed down from generation to generation or bought to fill homes (with what residents deem) a sense of happiness. What Walker possibly wants to bring to the fore is the question: "Why do we have what we have and how do we treat it?" Are possessions in the service of aestheticism and decor, or does our toil give them the needless beauty we nonetheless asc...

This is part 2 of the analysis of Koriyama's "A Loaf of Poetry". Read a brief introduction of mine and find facts about the poet's life, the poem's structure (rhyme, meter, sounds, divisions, turning point), persona, and the first half of the poem here: Naoshi Koriyama - A Loaf of Poetry (Overview) This part completes the analysis of the poem's content and discusses the symbol ism found in it as well as the title and overall message.

This is part three of the overview to Monica Wood's short story "Disappearing". It covers the story's point of view and symbolism.  If you want to read an introduction which includes a link to the story, a short biography of the author, the setting of the story as well as the characters that interact in it, click here . Part two deals with the plot and the "growth" process through which Wood intimates how destructive others can be and how -- as traumatizers -- they can permanently stunt development (to read that, click here .)

This is the second part of the overview of Monica Wood's short story "Disappearing". Before reading, please take a look at the introduction I've written here which includes a link to the story itself, a short biography of the author, the setting of the story as well as the characters that interact in it. This second part will cover the plot and deals with the "growth" process the story describes. Through this process, Wood intimates how destructive others can be and how -- as traumatizers -- they can permanently stunt development. In part 3 ,  the point of view and sym bolism are discussed.

People's cries for help often go unnoticed because as a society we have either become immune to other people's plight or we have become too self-centered to notice others at all. Monica Wood captures this feeling of insignificance, a kind of nullity of human existence imposed by others by dint of their disregard for their fellow man (and woman, naturally), in her short story "Disappearing".  The title says it all. The passage from one existence to a non-existence is depicted in a matter of pages. Twenty-eight paragraphs is all it takes to erase one's physical identity. Yet how much longer it takes to erase an individual's entire existence -- both body and mind -- is what lies at the heart of this story. The answer to this question is a terrifying "few people, a few comments, several reactions" rather than a specific time period. In fact, I would contend that this is not a story just about anorexia --  anorexia is simply a by-product of a great...

Read part 1 of this overview which includes a brief introduction, includes a link to the full text of the story, some details about the author's life as well as an analysis of setting and plot. Part 2 contains an analysis of the characters that appear in the story and the point of view. Part 3 discusses the symbolism found in this complex short story while this final post deals with the themes and the title of the story. 

Read part 1 of this overview which includes a brief introduction, includes a link to the full text of the story, some details about the author's life as well as an analysis of setting, plot. Part 2 contains an analysis of the characters that appear in the story and the point of view.  This part discusses the symbolism found in this complex short story. Part 4 follows to discuss the themes and the title of the story.

Read part 1 of this overview which includes a brief introduction, includes a link to the full text of the story, some details about the author's life as well as an analysis of setting, plot.  This second installment contains an analysis of the characters that appear in the story and the point of view.  Part 3 discusses the symbols found in the story. Part 4 deals with the story's title (how it foreshadows the ending) and themes.

Many read "Like a Winding Sheet" and conclude the drama that ensues has to do with race. Yes, that indeed would be the obvious conclusion. However, details pertaining to lipstick, tossing one's head back, lifting hair away from one's nape tell a different story.  This story is Ann Petry's primary narrative, I feel, as more care has been given to leave a trail of feminine breadcrumbs against the manifest backdrop of racial inequality and heartless behavior by those in a position of power, which happen to be the destructive forces behind further victimization. Petry manages to show just how everything comes full circle in the worst possible way when people try their damnedest to be the brutes they shouldn't be in their dealings with others.

Before reading this post, if you haven't already done so, please read the first part here . It has a very brief note on t he story's author , covers the plot, characters and setting. You can find the story itself here . This second part will deal with point of view, themes, symbolism, irony, the story's ti tle , and will t ry to give some explanations as to the reasons why Mrs. Sommers g ave in to temptation.

If I were to say that the typical love triangle is substituted for a different one in the opening paragraph of  Kate Chopin's "A Pair of Silk Stockings", few students would believe this is possible. In fact, when students give me feedback on this short story, it usually is negative, not because they didn't get it -- it's written plainly enough -- but because there's nothing going on in it, as they say. Well, ladies and gentlemen, this is a symptom of the disease rampant in the 21st century called 'boxofficematerialitis', an epidemic conjoined with 'keeptheirinterestbyusingquicksuccessionofimagesitis', which has given rise to what has been conveniently labelled attention deficit disorder. The fact of the matter is that if there's no real action, that is, action which contains a number of spectacular car chases, shoot-'em-up scenes, explosions, or dirty underhanded scheming (that results in one or all of the aforementioned chases, sc...

When a wife dies and leaves her husband her diary, all is possible. In Gil bert Clandon's case, the legacy his wife leaves him is much more than he could ever have imagined.  Virgi nia Woolf signs an exceptional short story which questions the foundations of marriage, people's need for communication by any means possible a nd their inclusion in a mutually beneficial partnership . When one reneges on that contract, the other will seek new outlets to grow , as p ersonal d evelopment in any marriage is inevitable. If that development is undertaken without any consideration for one's spouse, then problems will unavoidably ensue.

Some stories you know will be great the minute you read their title. Combine this fact with the name of their author and the result is a fireworks display.  Roald Dahl has written some of the most memorable stories in the last century because of their quirkiness and deep sense of raw reality disguised in simple, straight-forward prose. And like any good classic short stories, his behave in a way that make readers search for an alternative reality that will explain the whys and wherefores of human behavior. Patrick Maloney tells his pregnant wife he's leaving her. "What will Mary do about it?" is the question in a reader's mind and how is this tied to the title of the story? As is plain, from the get-go, questions arise that grow in number as the story progresses and leave us either giggling at the end of it alongside Mary or wriggling uneasily in our seats.

The short story An Intruder was incorporated in Nadine Gordimer's short story collection Livingston's Companions, published in 1970. As such, it must be read and viewed through the prism of her somewhat earlier works which dealt with South African society's inequality and the problems arising from the diseased status quo of the times. An Intruder focuses on relationships between characters and how perceptions of a situation differ in the eyes of each individual based on a combination of nature and nurture, or at the very least that is what Gordimer would have the reader gauge. What made James Seago what he is? Why is Mrs Clegg, Marie's mother, such a typical depthless wishful socialite with an exaggerated respect for higher social status? Couldn't Marie judge the merit of the man who treats her like a child or is she turning a blind eye to his behavior because it suits her? Whatever the answers to these questions, the one certainty we have is that the noti...

"Powder" is a short story intended to quickly state the obvious - a father's bond to his son is always a difficult thing to forge when parents aren't on good terms with each other. The level of difficulty in achieving this increases as fathers aren't used to explicitly explaining to their sons that they are trying to forge a stronger bond at a particular moment in time to begin with. Accordingly, the complications the father in this particular story is required to overcome are not only the time constraints the mother has placed on the trip as a whole or the mistrust towards her husband she has allowed her son to bear witness to which the father feels he must compensate for, but also the disparity in character traits that father and son exhibit. Having read the story for the first time, students predominantly respond to the query "What was the story about?" either with "I didn't get it. Some father and son skiing" or "S...