Examinations for the Certificate of Proficiency in English (CPE) are one of the most widely recognized English-language exams that certify one has mastered the language at C2 level (based on the Common European Framework of Reference or CEFR for languages).    It is not without apprehension that candidates sitting this exam prepare to tackle Paper 2 -- the dreaded Writing section.  This post will outline the various points candidates should keep in mind when dealing with the essay in Part 1 of Paper 2 and provide tips to help with the whole task through a step-by-step approach.  

This is part 2 of the analysis of Koriyama's "A Loaf of Poetry". Read a brief introduction of mine and find facts about the poet's life, the poem's structure (rhyme, meter, sounds, divisions, turning point), persona, and the first half of the poem here: Naoshi Koriyama - A Loaf of Poetry (Overview) This part completes the analysis of the poem's content and discusses the symbol ism found in it as well as the title and overall message.

This is the fourth part of the overview to Monica Wood's short story "Disappearing" which covers the story's themes: body image, assistance, silence, and acknowledgment. If you want to read an introduction which includes a link to the story, a short biography of the author, the setting of the story as well as the characters that interact in it, click here .  Part two deals with the plot and the "growth" process through which Wood intimates how destructive others can be and how -- as traumatizers -- they can permanently stunt development (to read that, click here ).  Part three about the story's point of view and symbolism can be found here .

This is part three of the overview to Monica Wood's short story "Disappearing". It covers the story's point of view and symbolism.  If you want to read an introduction which includes a link to the story, a short biography of the author, the setting of the story as well as the characters that interact in it, click here . Part two deals with the plot and the "growth" process through which Wood intimates how destructive others can be and how -- as traumatizers -- they can permanently stunt development (to read that, click here .)

This is the second part of the overview of Monica Wood's short story "Disappearing". Before reading, please take a look at the introduction I've written here which includes a link to the story itself, a short biography of the author, the setting of the story as well as the characters that interact in it. This second part will cover the plot and deals with the "growth" process the story describes. Through this process, Wood intimates how destructive others can be and how -- as traumatizers -- they can permanently stunt development. In part 3 ,  the point of view and sym bolism are discussed.

People's cries for help often go unnoticed because as a society we have either become immune to other people's plight or we have become too self-centered to notice others at all. Monica Wood captures this feeling of insignificance, a kind of nullity of human existence imposed by others by dint of their disregard for their fellow man (and woman, naturally), in her short story "Disappearing".  The title says it all. The passage from one existence to a non-existence is depicted in a matter of pages. Twenty-eight paragraphs is all it takes to erase one's physical identity. Yet how much longer it takes to erase an individual's entire existence -- both body and mind -- is what lies at the heart of this story. The answer to this question is a terrifying "few people, a few comments, several reactions" rather than a specific time period. In fact, I would contend that this is not a story just about anorexia --  anorexia is simply a by-product of a great...

Read part 1 of this overview which includes a brief introduction, includes a link to the full text of the story, some details about the author's life as well as an analysis of setting and plot. Part 2 contains an analysis of the characters that appear in the story and the point of view. Part 3 discusses the symbolism found in this complex short story while this final post deals with the themes and the title of the story. 

Read part 1 of this overview which includes a brief introduction, includes a link to the full text of the story, some details about the author's life as well as an analysis of setting, plot. Part 2 contains an analysis of the characters that appear in the story and the point of view.  This part discusses the symbolism found in this complex short story. Part 4 follows to discuss the themes and the title of the story.

Read part 1 of this overview which includes a brief introduction, includes a link to the full text of the story, some details about the author's life as well as an analysis of setting, plot.  This second installment contains an analysis of the characters that appear in the story and the point of view.  Part 3 discusses the symbols found in the story. Part 4 deals with the story's title (how it foreshadows the ending) and themes.

Many read "Like a Winding Sheet" and conclude the drama that ensues has to do with race. Yes, that indeed would be the obvious conclusion. However, details pertaining to lipstick, tossing one's head back, lifting hair away from one's nape tell a different story.  This story is Ann Petry's primary narrative, I feel, as more care has been given to leave a trail of feminine breadcrumbs against the manifest backdrop of racial inequality and heartless behavior by those in a position of power, which happen to be the destructive forces behind further victimization. Petry manages to show just how everything comes full circle in the worst possible way when people try their damnedest to be the brutes they shouldn't be in their dealings with others.

Murder will out. It always will. Well, not quite in the way we anticipate it will in this story by Ray Bradbury.  Taught in schools at a somewhat earlier age than expected, it is a tale of revenge, self-loathing and reconciliation you'd bank on adults to fathom to its fullest extent. However, it's never to early to make young adults aware that their actions tempt fate, and fate is never kind to those who snub it. When a 48-year-old man comes up with the insane idea on his birthday to return to his hometown and kill his so-called friend of 36 years ago, you expect the short narrative that ensues to be insanely interesting. 

If there were ever a more trite statement made about literature, it would be that r eading stories from different literary cultures enriches p eople's experience of the world. However, " b ooks take you places " isn't just another platitude rehashed by publishers, Reading teachers or something you'd find pasted on a cardboard sign in a Fox Books megastore from Nora Ephron's You've Got Mail . It's a n o b servation , albeit somewhat hyperbolized due to its dependence on personifying books , founded on readers' e scapades with every book cover opened.  This feeling of being transported to a new kind of reali ty is what I sensed after reading Hwang S un-won 's "C o nversation in June about Mothers", a short story born out of the Cold War which present s facets of the m ystery that is motherhood. 

Some stories you know will be great the minute you read their title. Combine this fact with the name of their author and the result is a fireworks display.  Roald Dahl has written some of the most memorable stories in the last century because of their quirkiness and deep sense of raw reality disguised in simple, straight-forward prose. And like any good classic short stories, his behave in a way that make readers search for an alternative reality that will explain the whys and wherefores of human behavior. Patrick Maloney tells his pregnant wife he's leaving her. "What will Mary do about it?" is the question in a reader's mind and how is this tied to the title of the story? As is plain, from the get-go, questions arise that grow in number as the story progresses and leave us either giggling at the end of it alongside Mary or wriggling uneasily in our seats.

As you might have come to realize, short stories are my favorite literary genre because they are like little cans of double concentrated tomato paste that add that extra zing to narratives other genres are incapable of delivering. In fact, the shorter the story, the grander the zing.  Well, Kate Chopin's story is as short as good short stories come and she manages to deliver the goods quicker than the title she chose for her piece . The advan tage of such crisp little tales is that they're easier to dissect because of the limited number of words they contain. Every sentence and paragraph can be analyzed al most ad nausea m , a task too g ruelling to undertake when reading a novel. Because of this comprehensive examination, the full extent of an author's powers is appreciated and though ma ny would be prone to co nclude that restricted tales offer very few developments , angles and insights, the reader's knowledge that every word written was mindfully selected ...